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A native of Cleveland, Ohio Lisa Marie Jones experienced here first encounter with the arts in 1971, as a third grader during a trip to the Cleveland Museum of Art. The exhibit was Claude Monet’s Water Lilies. The ...
Category: Photographers
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In the mid-eighties, after borrowing a friend's camera, I began to use black & white infrared film to chronicle the people and times of New York City. Up until that time I hadn't considered myself an artist in the ...
Category: Photographers
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Elizabeth Holmes was born in Brooklyn, New York and now divides her time between New York City and the East End of Long Island where she enjoys photographing local landscapes. She earned a B.A. at Fordham Univer ...
Category: Photographers
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Katarzyna Zill www.KatarzynaZill.com Category: Photographers |
L. Marie Jones Category: Photographers |
Dennis Murphy Category: Photographers |
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Making Encaustic Medium |
I fell in love with encaustic paintings the first time I saw one hanging. There was just something about the work... The luminosity, the transparency, the brilliance. It was unlike anything that I had ever seen before. I knew I had to try it and once I did, I was hooked. | |
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Introduction to Color Theory |
Color is a very broad topic. Entire books have been written on color and it would be quite difficult to cover every aspect of it within the confines of this article. My hopes with this introduction to color theory is to peek your interest and hopefully cause you to study this topic further on your own. Understanding color theory is perhaps one of the most important aspects of becoming a good painter. When you understand the elements of color and how colors interact with one another, you have unlocked one of the biggest puzzles of painting | |
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How to make your own oil paints |
Oil paints are made basically by mixing cold-pressed Linsed oil with pigment or color until a smooth buttery paint is produced. When the oil paint is used and applied to a surface the oil oxidizes or absorbs air and then forms a solid film that binds the pigment to the surface of the painting. | |
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