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Long Island Art Directory

2566 Kensington rd,
11554, east meadow,
United States
Telephone: 5163173745
Fax: 5163173745
E-mail: lauren.skellybailey@gmail.com
Dedicated to the investigations of ceramics, Lauren Skelly Bailey explores surface, form and the layering of histories in her sculptures. Bailey draws from nature, industrial objects and objects tooled by man to assemble installations, and sculptures. In 2015, Lauren received her Master of Fine Arts degree from Rhode Island School of Design with a concentration in Ceramics. Skelly studied at Adelphi University, from 2008-2014 where she received her Bachelor of Fine Arts and Master of Arts degrees. Lauren received the Thomas McNulty Award for Excellence in Sculpture in May 2012. Skelly has attended a variety of workshops and apprentice opportunities throughout the United States and in Italy. Recently at the Museum of Arts & Design in Manhattan, Bailey was an Artist in Residence in their winter Artist Studios Residency Program. Bailey

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Encaustic Art
Encaustic painting, also known as hot wax painting, involves using heated beeswax to which resins and colored pigments are added. This results in a paste like meduim which is applied to a surface such as prepared wood or canvas.
Introduction to Color Theory
Color is a very broad topic. Entire books have been written on color and it would be quite difficult to cover every aspect of it within the confines of this article. My hopes with this introduction to color theory is to peek your interest and hopefully cause you to study this topic further on your own. Understanding color theory is perhaps one of the most important aspects of becoming a good painter. When you understand the elements of color and how colors interact with one another, you have unlocked one of the biggest puzzles of painting
How to make your own oil paints
How to make your own oil paintsOil paints are made basically by mixing cold-pressed Linsed oil with pigment or color until a smooth buttery paint is produced. When the oil paint is used and applied to a surface the oil oxidizes or absorbs air and then forms a solid film that binds the pigment to the surface of the painting.
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