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- Miles Partington
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- Robert Gwathmey
- Eric Fischl
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- Janet Culbertson
- Eric Ernst
- William de Kooning
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- Daniel Black
- Monique Santander
- Jennifer Meihofer
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- Robyn Bellospirito
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- Michael Killelea
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| Annette Heller |
| Why have I chosen abstract art as a way of representing what I have seen and what I feel? Because it is a representation of pure color, form and shape. But even more important, it is the only form of art where the viewer brings his or her perceptions into the art. Despite the fact that a specific painting may be a unique combination of colors and shapes inspired by real life moods and experiences, viewers tell me that they see many things in my art. Some say they see animals, insects, lighthouses, faces and in one case -- a piano. In all these works none of these objects were drawn, but the mood of the painting yielded the perception. I had tremendous satisfaction when one colleague suggested that one of my works represented a Parisian Bistro. So in a way I can represent a mood or feeling in an abstract work better than in a purely representational work. And also I can choose to work in an infinite variety of palettes because I do not have to represent a specific object. |
Sponsers
| Encaustic Art |
| Encaustic painting, also known as hot wax painting, involves using heated beeswax to which resins and colored pigments are added. This results in a paste like meduim which is applied to a surface such as prepared wood or canvas. | |
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| Using Color to Express Your Creativity |
| Colors have an amazing impact on our lives. From the red of our stop signs and traffic lights, to the ever important green of a dollar bill, color is integrated into every facet of our daily adventures. No where is this more clear, than in our art and in our artistic creativity. | |
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| How to make your own oil paints |
 Oil paints are made basically by mixing cold-pressed Linsed oil with pigment or color until a smooth buttery paint is produced. When the oil paint is used and applied to a surface the oil oxidizes or absorbs air and then forms a solid film that binds the pigment to the surface of the painting. |
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