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Long Island Artists
- Matt Harnick
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- Daria Deshuk
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- Janet Culbertson
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- Olive Reich
- Monique Santander
- Daniel Black
- Damon Tommolino
- Jennifer Meihofer
- Carly Haffner
- Robyn Bellospirito
- Thea Lanzisero Monier-Williams
- Andrea Cote
- Brian Farrell
- Michael Killelea
- Janet Culbertson
- Barbara Stein
- William de Kooning
- Chuck Close
- Gina Knee
- Toni Rose
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| Annette Heller |
| Why have I chosen abstract art as a way of representing what I have seen and what I feel? Because it is a representation of pure color, form and shape. But even more important, it is the only form of art where the viewer brings his or her perceptions into the art. Despite the fact that a specific painting may be a unique combination of colors and shapes inspired by real life moods and experiences, viewers tell me that they see many things in my art. Some say they see animals, insects, lighthouses, faces and in one case -- a piano. In all these works none of these objects were drawn, but the mood of the painting yielded the perception. I had tremendous satisfaction when one colleague suggested that one of my works represented a Parisian Bistro. So in a way I can represent a mood or feeling in an abstract work better than in a purely representational work. And also I can choose to work in an infinite variety of palettes because I do not have to represent a specific object. |
| Making Encaustic Medium |
| I fell in love with encaustic paintings the first time I saw one hanging. There was just something about the work... The luminosity, the transparency, the brilliance. It was unlike anything that I had ever seen before. I knew I had to try it and once I did, I was hooked. | |
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| The Paint Color Chart |
| Experience has taught us that certain combinations of colors, whether in nature or art, affect the eye and mind agreeably, while others give offense. We call the former "harmonies," the latter "discords." | |
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| How to make your own oil paints |
 Oil paints are made basically by mixing cold-pressed Linsed oil with pigment or color until a smooth buttery paint is produced. When the oil paint is used and applied to a surface the oil oxidizes or absorbs air and then forms a solid film that binds the pigment to the surface of the painting. |
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